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CAN-DO MUSICAL NOTES - MAR 2016

Welcome to our first Can-Do Musical Notes for 2016.

At Can-Do Musos, it has been a busy 6 months, with the Can-Do Radio show going to air each week, the launch of Can-Do Musos TV on Vimeo, and our recent presentation at The NAMM Show in Anaheim on January 24.

Our website continues to grow, we currently have 225 Can-Do Musos from 25 countries. We have reached out to musicians from Argentina, Australia, Brazil, Canada, Chile, China, England, Finland, France, Germany, Greece, India, Indonesia, Ireland, Italy, Japan, Kenya, Netherlands, New Zealand, Poland, Portugal, Scotland, Sweden, United States of America, and Venezuela, all living with a disability of some kind.

Can-Do Musos was established to provide support and showcase musicians living with a disability, such as mental health issues, physical challenges, intellectual challenges, speach, vision or hearing impairments who are all music makers and have the same passion about their craft.

 

Can-Do Musos - Winter NAMM 2016
Following the success of our Can-Do Musos presentation at NAMM 2015, we presented again on the 24th January 2016. More information about that and how you can support Can-Do Musos at NAMM in 2017, later in this bulletin.

In the meantime, check out this video from our presentation.

Latest News
MATT MCLAREN SUCCESS ON AUSTRALIA'S GOT TALENT 2016
Australian Can-Do Muso Matt Mclaren recently had success in the Grand Final of Australia's Got Talent. Playing the keyboard and singing with canine companion Stamford by his side, McLaren was rewarded with a standing ovation from the judges and the audience, and some encouraging comments from the judges. Although he didn't win the end result, Matt's performance was incredible. We at Can-Do Musos are proud to have Matt as part of our family. To see Matt's amazing Grand Final performance of John Legend's All Of Me, please go to https://youtu.be/n3SKG8z2lEg
CAN-DO MUSOS NAMM FEATURE IN LOS ANGELES MUSIC MAG - ROCKWELL UNSCENE
Can-Do Musos are featured in the latest issue of Rockwell Unscene Magazine covering the NAMM 2016 presentation. A special thanks to Wes and Melissa Anderson for their ongoing support for Can-Do Musos. To read the review, please go to https://candomusos.com/pdf/ROCKwell-UnScene-Issue-10-candomusos.pdf
AUSSIE ROCK LEGEND JEFF ST JOHN NEW BOOK
The Inside Outsider: The Jeff St John Story is an Autobiography of legendary 60s/70s singer Jeff St John. Famous bands included The ID and Copperwine. The book should be ready and available by mid April. To find our more information, please go to www.starmanbooks.com.au
DOM FAMULARO, JOE HARDY & MIKE WRENCH AT WOODSTICK 2016
Can-Do Musos will be represented at Woodstick in Seattle, Washington by Joe Hardy and Mike Wrench, and the entire show is being MC'd by the one and only Dom Famularo. Woodstick 2016 is on Sunday April 3, 2016 at Emerald Queen Casino, Tacoma, WA. For more information, please go to www.groovemusicforyouth.com
CAN-DO RADIO & CAN-DO MUSOS TV NEEDS YOUR HELP!!!
We are looking for people to do radio and tv promos for us (or both), we need between 10 - 30 seconds of either video or audio with the words. MY NAME IS.. I AM FROM.. YOU'RE LISTENING TO CAN DO RADIO.. or YOU'RE WATCHING CAN-DO MUSOS TV. Be as creative as you like. Any submissions, please send to info@candomusos.com. Thanks for your support.
AUSSIE JOHN KOUMOUROU GETS MUSIC IN EURO MOVIE
John Koumourou from Melbourne, Australia has recently had his musical piece Journey used in a European movie entitled Spandex Sapiens. John is a flugelhorn player, who won't let his disability be a roadblock to anything he wants to do. His love for music has driven him to try different instruments to find one ‘that fits' his ability. With his limited finger movement he had to be creative on how to get around the challenge of playing. He has been credited, and has also given credit to Can-Do Musos. Thanks John and congratulations. To hear John's music, please go to soundcloud.com/john-koumourou.

ANDREW HEWITT LANDS VIC FIRTH ARTIST PAGE
Australian drummer Andrew Hewitt did a photo shoot for Vic Firth drumsticks while at The NAMM Show in Anaheim in January. One of the photos was picked to be used on an artist page on the Vic Firth website. Check out Andrew's artist page at Vic Firth here vicfirth.com/artist/Andrew_Hewitt/.
RACHEL HANDLER APPEARS ON LAW & ORDER SVU
Recently, New York based singer, actor Rachel Handler did an appearance as a Jury Foreman on TV's Law & Order SVU. Check out Rachel's website for more of her work www.rachelahandler.com.
ANDREW HEWITT, MARK GOFFENEY & BILL CLEMENTS NAMED IN TOP 8 MOST REMARKABLE & INSPIRATIONAL MUSICIANS IN THE WORLD
Can-Do Musos' Andrew Hewitt, Mark Goffeney, and Bill Clements, were recently named in the Top 8 Most Remarkable & Inspirational Musicians in the World from RAW RAMP magazine from the UK. Check out the top 8 list here rawramp.me.
CAN-DO RADIO ON DRUM TALK RADIO
Can-Do Musos supporter and drummer Pino Bertolini hosts Drum Talk, a talk back radio show about all things drumming on Monday nights at 8:30pm (AEST). Also Wednesday nights at 7:00pm (AEST) Andrew Hewitt hosts The Can-Do Radio Show. To Tune in to either of these shows, simply go to www.drumtalkradio.com and click the Listen In button. Drum Talk Radio can also be found on Facebook.

If you can't tune in on Wednesdays at 7pm, there are always the Can-Do Radio podcasts at candoradio.podomatic.com.
 
Can-Do Musos TV - Episode 1
Can-Do Musos TV made it's debut on Vimeo in December. First episode includes: Calling Utopia, Joey Stuckey, The Mendenhall Experiment, Lefty Willams Band plus more. Check the first episode out here on Vimeo.
 
Jason Becker: Not Dead Yet movie trailer
When doctors diagnosed 19-year-old rock star Jason Becker with Lou Gehrig's Disease, they said he would never make music again and that he wouldn’t live to see his 25th birthday. 22 years later, without the ability to move or to speak, Jason is alive and making music with his eyes.

Jason Becker : Not Dead Yet is a feature-length documentary film that tells the incredible story of a guitar legend who refuses to give up on his dream of being a musician despite the most incredible odds. It is a story of dreams, love, and the strength of the human spirit. For more information, please go to www.jasonbeckermovie.com
 
Can-Do Musos at The NAMM Show 2016 by David Segal
It’s January 2016 time in Anaheim California. Thousands of people make the journey to the NAMM show every year, one of the largest trade shows in the world.

Can-do Musos has the honor of presenting for the second straight year. I get there several days early to do preparation for our presentation. I start by selecting media organizations that are in the Los Angeles and metro-city area and send them our press release, via email, to hundreds of media outlets. We have returned with new vigor having gotten major press in DrumHead Magazine, DrumScene of Australia, Batería Percusión of Spain. Not to mention the website of Modern Drummer and others in the UK and beyond.

This year we had new members on the stage with us: Risty Bryce of Drum Sparx, Guitarist Brandon Mendenhall and Bassist Nate Stockton of the up-in-coming metal band The Mendenhall Experiment. Our team from last year Board Members Dom Famularo, myself, drummers Andrew Hewitt, Joe Hardy and Guitarist Mark Goffeney. Adding a new wrinkle this year, we have drums, amps and guitars to not only tell our stories but show people what we Can Do. Interwoven in peoples presentations members performed solos and played music together.

In the audience are a number of our members: bass players - Bill Clements, who had his right arm amputated and George Layton who’s in a wheelchair , drummers - Jeffrey Blattner who has MS, Gus Moratinos has CMT and Angelo Pentaris has Cerebral Palsy. Our fearless leader Dom Famularo, who had a severe stuttering problem as a child, starts off with an immediate challenge, one of our co-founders Mike Mignogna, who has CP and walks with crutches, could not be with us because of a snow storm in Tennessee. It was so icy he couldn’t get to his car to catch a different flight. Dom iterates that it is challenges like these, small things to someone with no handicap, but a big deal for people with disabilities, that we have to deal with. He goes on to talk about the general story of CandoMusos and how every story has a “vibe” that will empower you and move you forward.

It took Andrew and his wife Jen 14 hours to fly over here from Australia. Andrew, who has Cerebral Palsy, explained that when he grew up there was no YouTube or even internet and disabled musicians had no network to reach out to and see how others overcame their various challenges. He said,“As a 10-year old it was pretty difficult”. One of the principle reasons CandoMusos was created was to show how other challenged musicians make it work and as Andrew stated to give inspiration of how disabled musicians can ”move forward with their music.”

I was up next explaining how I was born with Arthrogryposis, which required 20-plus corrective surgeries to walk and for my hands to somewhat function. I also said about CandoMusos that we have actually gotten people leads for work. One of our members Jason Barnes had his arm amputated and uses a prosthetic, known as a “bionic arm.” The Audi Car Company contacted CandoMusos and we were able to get the casting director his contact information. They wound up flying him to Los Angeles and featured him in one of their commercials.

Joe Hardy, who was born with no legs, has an electronic drum kit built into his wheelchair, and talked about how five years prior he came up with idea and designed the electronic kit that he could roll around with at Namm. And how he first connected with us and Dom two years ago and that he always wanted to “help inspire other musicians with disabilities to achieve their dreams and goals”. Joe continued to say that the whole involvement with Candomusos has led to different members, like Mark Goffeney and himself, to play together.

Mark Goffeney, who was born with no arms, started off with a funny joke that his challenge was being born with a “really humungous nose” and then expressed some salient points about music. That music moved him and that if he “could give people that same feeling when he played…that’s when he really started diving into music.” Another strong point was a person’s disability “wasn’t wrapped up in the condition (they) were born” with and that “music has to find a way to come out of you.” Joe and Mark then proceeded to jam for a bit to great applause.

Dean Zimmer, who has Arthrogryposis like myself and was featured in the “Drummer Wanted” documentary that has been viewed by millions of people, was up next. He told how his old brother introduced him to music and he had many “drawing board” sessions with holding the sticks. He mentioned funny stories of when he first started to play at a middle school gathering, him and a guitar player were playing a Rush song and each stick eventually flew out of his hand. His friend picked up the sticks, gave them back to him and he has been playing ever since. A voice in his head said, “Why not me!”

All the CandoMusos members in the audience began to tell their same inspiring stories to Dom as he walked around with the mic.

Brandon Mendenhall, who has cerebral palsy, was next, as he explained starting the Mendenhall Experiment with a focus of disability awareness through the power of music and that his bass player Nate Stockton who was also on stage was partially deaf and blind. And how he (Brandon) struggled to play and almost gave up until he learned about “Keith Richards and the beautiful thing of open tuning” and ended with “…nothing in life is impossible….mind over matter.”

Last up was drummer Risty Bryce, who has Idiopathic Neuropathy, and came up with Drum Sparx. It allows someone to play the bass drum through blowing into a tube and then amplified. As he told it, his mom was disabled but he was born without any challenges and was a recording and gigging drummer. His story began late in his twenties as he begins to lose the functionality of his legs. The disability was taking over and taking him away from music. After stopping for ten years and eventually working his way back into it, he thought “there has got to be a way” and that’s how Drum Sparx was invented. It is so named because it sparked the life back into him.

CandoMusos tripled the number of people we had attend and had representatives from major companies in the room, some had children with disabilities and others who new people with impairments. Everyone’s story exemplified how musicians facing different challenges did not give up and found a way to continue and prosper in their craft. It is what CandoMusos is all about, empowering each other to forge ahead.

We would like to thank Joe Lamond and the staff at NAMM, Jules Follett and the staff from The Sessions Panel, Justin Malseed from Australasian Music Supplies, Melissa and Wes from ROCKwell Unscene magazine, and everyone who has supported us over the past few years. Can-Do Musos is building huge momentum world wide. If you would like to show some support for Can-Do Musos, and help us be more involved in The NAMM Show 2017, please send NAMM CEO, Joe Lamond an email showing your support.

Don't forget to check out our Can-Do Musos NAMM 2016 Presentation video.

Looking forward to next year!
 
The Mendenhall Experiment
Source: Rockwell Unscene Magazine

Rockwell: Hey it's Rockwell Anderson with ROCKwell UnScene Magazine and Radio and we are outback in the alley of Mission Tobacco Lounge in Riverside, CA. I am here with?

Mario: The Mendenhall Experiment, I'm Mario, I Sing!

Brandon: Brandon, I play Guitar.

Nate: I'm Nate, I play the bass.

Mike: I'm Mike and I play lead guitar and backing vocals.

Bruce: I'm Bruce and I play the drums

Rockwell: There is something about you guys that makes you stand out from other bands. I want to talk about NAMM 2016 and you guys being part of the Can-Do Musos Panel. Why were you part of that?

Brandon: At NAMM 2016, we were part of the Can-Do Musos panel for empowerment of disabled musicians, and we were joined by Australian drummer Andrew Hewitt, Risty Bryce, Dean Zimmer etc.

Nate: It was our first time ever being on the panel, and it was really cool meeting all these other disabled musicians and seeing what they do and their background.

Brandon: A cool story about what happened at the panel... we've been filming a documentary film about my life for the past two and a half years, called "Mind over Matter", and the inspiration behind that film came from Dean Zimmer's film called "Drummer Wanted". It was a short film about Dean's affliction and everything he goes through just to be able to get up on stage and perform as a real gigging drummer. That kind of inspired me to make a movie about my life. We were on the panel, in the process of it, and I realized I was sitting right next to the guy who inspired us to do a film about my life. It was a really cool full circle moment. And then Dean played something on the drumkit, and he just took over. If anybody says these guys aren't capable of playing, they don't have eyes and they don't have ears.

Rockwell: Can you tell people what you're overcoming?

Brandon: I was born with Cerebral Palsy, and what that is, is a neuromascular disorder. In my case it affects my left side prominently, so my left side is weaker than my right side. Obviously affects my speech, it affects the way I walk, and most of my motor function on my left side. It left my left hand almost completely paralized. Everybody in my life growing up said to me that playing an instrument would be an impossibility. I'm the type of guy that doesn't like to take no for an answer from anybody. So I said "To hell with that." I followed my dream and my passion, and once I got goingand got playing an instrument, I wanted to be in a band; I wanted to be a Rock Star. I wanted to use that power to help other people, and that is what The Mendenhall Experiment became. It was my literal experiment to see if a kid with Cerebral Palsy can write songs, start a band, then elevate that band to a national level of success. And I think over the past two and a half years we've proven that pretty well.

Rockwell: What kind of struggles do you have (Nate)?

Nate: I was born with hearing disabilities. I hear 12% in one ear and 8% in the other, unassisted. My parents didnt find out about it until I was about threee years old, so for three years they just thought I was strange and weird. By then it was too late for me. They called me Stoneface and stuff like that you know.

Rockwell: And what do you play in the band again?

Nate: I play the bass, and it works out that way. Hearing the way I do, I hear low tones especially well compared to other tones. I started playing guitar when I was twelve, and could never do it right because I could never hear what I was playing. So when I turned 21 my dad got me a bass, the minute I started playing it, it was destiny. That was in 2001, I've been playing off and on with different bands until this band.

Rockwell: That means you're going to be thirty-six. You're getting to be an old bastard. I'm much older, but Mario tell us about singing with these guys?

Mario: There's a lot of energy. They're very alive up there.

Mike: To add to that, I think the energy really comes from Mario, then we just give it back. Being a leader, the way he is, I think that's where most of the energy comes from.

Rockwell: It takes a good front man.

Brandon: I've always referred to Mario as the band amplifier. He intensifies and amplifies everything on stage. If we're going 75% he pushes it to 150% every night, and that's what I love about playing with him. I say it every time, my favourite singer is the one in my band.

Bruce: I think we would be just standing there playing our instruments, and Mario would be doing his thing, and people would still love it.

Rockwell: You guys have a show to play, so all we'll wrap this up shortly, but first, tell us where people can find you on social media.

Mike: Instagram is @TMXOfficial as well as Twitter.

Bruce: We're on Youtube @TMXvevo

Mike: And then Facebook is just facebook.com/TheMendenhallExperiment, and then you can find all those links on our website at www.themendenhallexperiment.com.

Rockwell: Are you guys linked to Can-Do Musos at all? Do they have you on their site?

Brandon: Yes, there's a Mendenhall Experiment page on Can-Do Musos as well. We're soon to have a page on monsterenergy.com.

Rockwell: Tell us about that real quick?

Brandon: I started this band eight years ago, and because we're a band based on raising disability awareness, I didn't want to go down the route of supporting an alcohol company. So, I went after energy drinks companies. It's more towards our demographic. Eight years ago, I started chasing Monster. It took eight years to not only find this golden line-up, but to find a contract with Monster, but now we have a full-ride with Monster Energy. We couldn't be more happy about it.

Mario: If I could add on to that, I feel so blessed with these guys. It's all about keeping that energy, doing something with your life that you can only do because you're an individual. You have to find something that's you, even if that's flipping off roofs. Whatever it is that makes you feel alive. I feel blessed to be born into this place with these people, so the least you can do is find something to feel happy about.
 
Bill Clements
Source: For Bass Players Only

Despite losing his right hand in an industrial accident, Bill Clements found a way to resume his bass-playing career.

Michigan native Bill Clements had a promising career as a bass player until he lost his right arm in an industrial accident in 1989. In a tremendous display of determination and sheer guts, Bill developed his own unique one-handed style of bass playing and, remarkably, was able to resume his career. His fiery virtuoso chops have evoked comparisons to bass heroes Jaco Pastorius and Rocco Prestia, among others. Clements continues to astound audiences worldwide.

Let’s start with the early days. What kind of musical upbringing did you have?
I always liked music and got a violin in the 4th grade. Even then, it seems that I always had ideas that weren’t “standard” and the monotony of what they had me play made my time with the violin short. I picked up a bass at the age of 13 and never set it back down.

What inspired you pick up a bass?
The songs that I liked on the radio had a big bass sound: Rush, Yes, The Who, Zep, The Police. In my adolescence, the bass just seemed more exotic. Also, there were fewer bass players than guitar players.

What kind of career did you have before the accident? What kind of stuff were you doing?
I played in cover bands until 1988, when I joined Catharsis, an original power trio. It was while in this band that my accident happened.

What happened on that fateful day back in 1989?
The accident happened while I was working a day job at a factory. On December 18, 1989, I put my hand into a slow moving mixer, not realizing that it was on. I didn’t lose consciousness until I was put under at the hospital. I have total recall of the events leading up to the surgery, including telling the nurse to get me a different doctor because the first one pissed me off!

I can only try to imagine what must have been going through your mind at the time. After the initial shock, how quickly did your musical career surface as one of the challenges of this life-changing occurrence?
Well, I guess pretty quickly. Initially, I thought I was all done. By the time I got to the emergency room, I was starting to get a grip. I lay there a while with a janitor holding my tourniquet. I started thinking about a(n Emmett) Chapman stick. Before they put me out, I was thinking, “I’m not gonna quit.”

You must remember the first time you picked up the bass after that. Tell me about that experience.
The first time I tried to play after the accident was about ten days later. My brother’s guitar just happened to be nearby. Not being a guitarist, it didn’t work out too well. I was despondent, to say the least. A few days later, I got the nerve to try it again, but on my own bass. It seemed like there was a chance, but it wasn’t until I got the idea to tie something around the first fret that it came together. Six weeks after the accident, I was back at rehearsal.

How would you describe your playing style?
I was always into players who made their instrument their own. Not necessarily the busiest, though I dig that, but players of impact, guys who just played cool shit. Tony Levin, Percy Jones, Alphonso Johnson, George Porter, Paul Jackson… I could go on: Sting, Geddy, Jaco, Stanley, Rocco. Bottom line, it’s down to your personality. You play – or don’t – as you are personally compelled.

How did you go about getting back in the groove as a bass player? How long did it take?
I’ll let you know when that happens!

What else would you like to accomplish in your career – and your life?
There’s a long list of places I would like to play and definitely people I would love to play alongside. In the end, I just want to continue playing as much as possible and take music to the people who appreciate it most.

Your story speaks volumes, all by itself. Still, can you offer any words of hope and inspiration for the rest of us?
I don’t know what I can say that would be helpful. My relationship with my instrument is really my most enduring. Devoting myself to it as I have has cost me in other areas. Stability has not been a hallmark of my existence. Problems stemming from the accident, complicated by a good twenty-year affair with alcohol that I only recently have come to terms with, led me down a path of economic woes and, sadly, a failed marriage.
What I do know is that I am very fortunate for the people that have stuck with me and believe in what I do, not just because I play a mean bass. The mysteries of the universe are encoded on the fretboard and that study of the instrument eventually becomes the study of one’s self. I know that one or all of the many demons in my life would have overtaken me long ago if not for the bass guitar. Its gifts continue to sustain me. May it do so for you as well.

You are a testament to the power of will and resolve and it’s obvious you can do anything you set your mind to. What would you be if you weren’t a bass player?
I have to say that I can’t imagine not playing bass, but if it came to it, I’d come up with some way to distinguish myself... but you know, I’d do it my way!

For more information, please visit reverbnation.com/billclements.
 


You can find Angelo on Facebook at:
angelo.pendaris
Can-Do Featured Artist: Angelo Pentaris
From Athens, Greece, drummer Angelo Pentaris would never let Cerebral Palsy stand in his way of becoming a drummer.

He says "My Cerebral Palsy tetrapligia diagnosis never stood in the way of my dreams that has become a reality as I am in Los Angeles College of Music. Nothing was accepted as an obstacle. I walked aided at the age of seven, sat in a wheelchair part time for two years in my teens and then I got up again".

Everything takes so much time to achieve when someone is physically disabled for example it took Angelo six years to learn to ride a bicycle. And yet drums are the hardest thing to master with CP.

It took Angelo one whole year to play a basic beat in order to start his drumming lessons. Angelo adds "Not being able to play a beat was never an issue for me, I knew that just playing the drums was enough to bring me happiness and joy. I was born to play the drums at any cost. I still face a lot of challenges with my drumming like stiffness, kick drum volume and technique because at College I am required to perform a lot of genre of music and play technically challenging music". Read More >
Angelo's Fast Five:
1. What started you playing music?
I started with guitar at a young age because I loved music and was drawn to the rock image. Later on I saw a friend play drums and fast forward 8 years later, I just graduated LA College of Music and I am about to start my career.

2. What are you working on at the moment?
I am practicing a lot of grooves and metric modulations. As far as projects go, I am in a rock band called Xeno and we are planning on recording our fist EP and gigging around LA. I am also working with a singer from India Kairvina Sherma and she will be recording her first EP soon. I plan on doing YouTube covers starting next month.

3. Had any bad gigs? Any funny gig stories?
Yes. I played with a jazz band at the Pasadena Jazz Festival and we barely made it on time. we were going around in circles and we could not find parking anywhere because I had forgotten my handicapped placard. So when we finally found a place to park it was really far. I had to run all the way while carrying my cymbals and my pedal. I arrived, sweaty and out of breath set up really fast. But then I played my ass off.

4. Who inspires you? Who are your heroes?
My heroes are Taylor Hawkins, Mike Portnoy, Anika Nilles And Chris Coleman People who inspire me are people that I have gotten to know in LACM Joe Porcaro, Russ Miller and Philip Bynoe (because are great musicians but amazing people) . Lastly I would like to thank my band mates, my friends and family without them I would not be here today.

5. What is your biggest challenge as a musician, in what way have you had to adapt your playing to work around your challenges?
Physically my biggest challenge has been trying to over come stiffness in order to play faster i still work on hand technique and visualize myself playing looser every night before i sleep. I also have been trying to get my kick drum as loud as possible i just work on it every day and tell my self i can do it. I also use a double paddle with a heavy beater, a second pair of high hats and stack cymbals to compensate for things I can not do like everyone else..My hardest challenge is overcoming my self-criticism ..Being different is a pleasant gift as it makes me who I am.
 
Can-Do Youtube
 

The Mendenhall Experiment (USA)
Seize The Day

Remont Pomp (POL)
Kokon

Shane Michael Taylor (USA)
Warrior Cowboy
 

"imagine a voice for dedicated musicians who have not been heard....imagine a global web site to feature musicians with passion...imagine good people with talent finally getting the attention they earned!!! Well now the message is loud and clear. Candomusos is growing and making a difference. We are inspired and empowered to continue to connect great musicians around the world. Spread the word and be a part of a new wave that is flooding the Internet and social media with new discovered talent. Thousands of people are talking about Candomusos and enjoying the high quality musical Art. This is exciting! Thanks so much!!!"

 

Till next time...

 

Dom, Andrew, David, Mike, Joe

 
About Can-Do Musos
Can Do Musos want to provide guidance and hope to all musicians with challenges. Music is empowering and has no limitations and everyone should have a chance at their dreams.

Having a "Can Do attitude" is the first step toward success!
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